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Fade & Draw Jack's way

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  • #16
    Re: Fade & Draw Jack's way

    Originally posted by keiko View Post
    Are you being condensending, attempting to express superiority or just hijacking my post?
    No matter what I post, you always seem to have some overriding comment to discredit it.
    I am quitting this stupid site, I am just about fed up with you and lagrosa and your assinine ideas.
    It seems to me like he said exactly what you said, aka he is agreeing with you and possibly elaborting on thost points so that others might understand...




    Personally, I like to make it as easy as possible. I swing exactly the same for a draw, fade, slice ect. The only difference is I point the club face left or right depending on what I want to hit and aim left or right.

    If your swing is working great, why would you ever try to change it and possibly lose your groove by changing the release, or swing more in to out, the reason you hit so well, is to do practice and finding the optimum swing path and release, why change it?

    It all has to do with swingpath relation to the target and the face path relation to the swing path. You could even hit a fade (starts left and curves right) with a 'closed' club face, its all relative ie what is the closed in reference to? It depends on where you are aiming, if your path is out to in relative to the target line, but your face contacts the ball when it is open to the path but closed to the target line. While relative to yourself, all you did is swing a square path with an open club face in relation to your normal adress. If there was no target line, you are basically hitting a slice, a good slice, it starts straight, and curves right, that is why you aim to the left, so when it startes going right it ends up on the target line. If you open up the face too much, then you are still hitting a fade IMO, it is starting left of the target line and curving right, just curving too far right of the target line, but it went straight and then curved right in relation to your stance line, so you could look at it as a bad slice or it could be called a bad fade in relation to the target.

    You can really only hit the ball 3 different ways, you can slice, hook, or hit it straight. The other 6 that make up the 9 ball rule has to do with the target line, 3 shots lined up the target line, 3 shots lined up left of the target line, and 3 shots lined up right of the target line. I think it makes golf much more simple if you only have 3 ball rules. When someone is askign for help, they either hit is straight, slice it or hook it, forget about where the target line is, your stance could be messed up, what did the ball do in relation to your stance and then where did it curve if at all. If it starts right or left, that means you have a in to out or and out to in path and it needs to be fixed before they attempt any shot shaping. I can't think of any pro that ever had an intentional in to out or out to in path, it was all coming from in to square and back in. When they say the play a fade or whatever, that just means they aimed differently and hit a slice in the simplest of terms.


    It does take some getting used to swing with a closed or open face as the weight and balance is very weird at first, you have to try and not 'listen' to the club head is telling you and just do what you always do. It takes practice to have a trusted habitual swing, but IMO, this is the best way to shape a shot.
    Last edited by lgskywalker37; 11-22-2009, 10:36 PM.

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    • #17
      Re: Fade & Draw Jack's way

      Originally posted by lgskywalker37 View Post
      It seems to me like he said exactly what you said, aka he is agreeing with you and possibly elaborting on thost points so that others might understand...
      Spot on.......

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      • #18
        Re: Fade & Draw Jack's way

        Great post lgskywalker. I agree with all of it.

        as you rightly said, almost all professionals are in to square to in - some o the best ones in the past did it from less orthodox stances too. some have been closed annd some open, but the bottom line is what the club was doing to the ball through impact - thats why i like the divot and ball flight analysis, it doesnt lie.

        i used to struggle with a fade, but i learned to do it contradictry to textbooks. I actually close my stance, close the face, then try to swing across my body left. this gives the added advatnage of being able to hit a fade with a closed face, so it doenst lose any distance, it doesnt balloon up in the air, and it has more manouverability (less loft = moore sidespin = more curve). its just my way though.

        for a draw i will just keep most things the same but feel like the swing is a little more in to out. This flattens out the swing, inceases launch angle of the ball so you get a higher, softer landing draw that goes the same distance.

        im effectively a swing path changer, it has the advantage of a more consistent flight, more consistent distance and more consistent control ( a fade can move more, a draw moves less with this method). disadvantages arre that it requires a lot more skill and feel.

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        • #19
          Re: Fade & Draw Jack's way

          Hi Rogue
          what i use to do to check my stance and swing path was stand in a bunker and its east to see your divot mark in the sand and also to see where your feet were aiming,
          it a really good way to check you swing, your line up and your divot mark.
          you can do the same if you live near a beach and i often take a club and take a walk along the beach and hit a plastic ball and i find by the time i finish my walk i'm swing really good and have my alinement spot on. and i do use the "divot" in the same to work out if my club face is open or square through impact.
          like you said you can learn a lot from studing your divot mark.
          Cheers
          bill

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